When the Rohingya Genocide forced hundreds of thousands into Bangladesh in 2017 and 2018, the repression of their music continued. Armed groups initially prevented musicians from playing, but over time, music reemerged in the refugee camps. Here, musicians once again performed at weddings, religious gatherings, and community events—just as they had in Myanmar. However, life in the camps introduced new roles for music. Songs now carried messages of public health, family planning, and women’s rights, offering vital information to the displaced community. Musicians also performed at events hosted by NGOs, for World Refugee Day, and at discussions organized by camp authorities.
Yet, even within the refugee camps, making music remains a challenge. Musicians and event organizers must obtain permission from camp authorities, and travel restrictions make it difficult for artists to move freely with their instruments. Security officers often confiscate personal belongings or issue fines under vague accusations, adding another layer of uncertainty. While some performances take place in homes, they depend on the goodwill of neighbors in the densely populated camps, where privacy is scarce.
