Our staff


Tom Clowes, Co-Executive Director, founded Crossing Borders Music and served as President of its Board of Directors from 2011 to 2015, at which time he became Executive Director. Previously, Tom served for nine years on the Planning Council of the Midwest UU Summer Assembly, on the Development (Fundraising) Committee of the Tucson Symphony Orchestra, as Board Chair of his local church, and was a founding board member of the non-profit organization Building Leaders Using Music Education – Haiti. Tom has a Masters of Music degree from Roosevelt University’s Chicago College of Performing Arts, where he learned about arts administration from Henry Fogel, a legendary arts administrator who served for many years as Executive Director and President of the Chicago Symphony Orchestra. In the summers, Tom teaches at the Ambassadors Music Institute in Croix-des-Bouquets, Haiti. Conversations he had with Haitians in Haiti after the devastating 2010 earthquake gave shape to the mission of Crossing Borders Music.

Jessica T Carter, Young Composers Project Teacher/Mentor, is a composer, violinist, mezzo-soprano, voice coach, and educator from Indiana described as “evocative” and “lyrical” by Aspire Magazine and Apricity Magazine, respectively. Specializing in concert music, film scoring, and musical theatre, Jessica’s aim and goal as a composer is to exude the message of hope and freedom to all but specifically to marginalized children. In 2020, she was the winner of the Indiana University South Bend Symphonic Composition Competition. In the same year, Jessica was published for her ground-breaking research entitled “Concert Music of the Civil Rights Movement: Uncovering the Erasure of Black American Composers in the United States.” She has been commissioned by organizations including Crossing Borders Music, Castle Of Our Skins, and the South Bend Symphony Orchestra. Jessica received a Master’s of Music in Composition under the tutelage of Dr. Jorge Muniz at Indiana University-South Bend. Jessica has also worked as a public-school music teacher. Learn more at www.jtcartermusic.com.

Dr. Marschnee Strong, Co-Executive Director, is a pianist, educator, and arts leader who cultivates relationships within her community. Throughout her career, she has served on numerous arts organization boards. Her recent work includes marketing, fundraising and development with the Artist Presentation Society, and she serves as Vice President and Chair of Music in Schools and Colleges with Missouri Federation of Music Clubs. Through these, and similar, organizations she coordinates numerous music galas, festivals, and competitions.

Additionally, Marschnee ardently works to build support systems for young and aspiring artists by offering them the skill set, knowledge, network, and opportunities to build thriving careers. After relocating from the Chicago area, she opened an independent music studio in St. Louis, Missouri which offers individual lessons, creative and educational workshops, and performance opportunities for young artists. She subsequently founded St Louis Music & Performing Arts Club, which connects musicians and students with scholarships and awards through one of the nation’s largest non-profit music organizations. Her career passions led to doctoral studies at Vanderbilt University in Leadership and Learning in Organizations, where she received her Doctor of Education in May 2024.

Scout Fynn, administrative intern, is a multidisciplinary artist, writer, and cultural practitioner. Her work takes on many forms often informed in response to current themes and her own curiosity.
She explores intersections between the written word, new media, and performance to create cultural experiences that reflect the social landscape, promote artistic impact, and interrogate the complexities of human experience.
Scout is a graduate of The Market Theatre Laboratory and during her studies, performed in two Naledi Award-winning productions, “No Easter Sunday For Queers” directed by Mwenya Kabwe, and her first-year class production of “Eclipsed” directed by Sylvaine Strike. Since then she has curated for arts festivals such as Time Of The Writer and The Artfluence Human Rights Festival at the Centre For Creative Arts and most recently for The Voices of Women Museum, a virtual exhibition that explored the physical presence of memory through the collected narratives of marginalized South African women.
In 2022 she was selected as a finalist for the Distell National Playwright Competition for her dystopian satire “GLITCH” and her written work has appeared in several festivals such as the National Arts Festival virtual fringe, POPART Joburgs 24 Hours In The City theatre festival and had her most recent work, a visual essay, published on the IQOQO reference platform, in response to her participation in The French Institute of South Africa’s Re-Imagining Heritage, Archives and Museums convening as one of the programs selected mentees.